Posts Tagged ‘castleton lyons’

PAULICK REPORT FORUM brought to you by THE BREEDERS’ CUP: CHANGE CAN DO US GOOD

Wednesday, February 3rd, 2010

We are pleased to introduce a new weekly feature today, the Paulick Report Forum brought to you by Breeders’ Cup. Every Wednesday, we’ll talk with a Thoroughbred industry player about the game we all love, trying to get a better understanding of where we’ve been and where we may be headed. One thing I’ve learned throughout my years in this industry is that nothing comes easy. We are a sport and a business fraught with divisiveness, incoherence and confusion. But at the same time we are blessed to have many participants with great intelligence, insights and dedication. In short, we never know where the next good idea may come from.

We hope you will read each week’s Forum, offer your thoughts on the subject being discussed, and suggest to us other areas where we can advance the discussions that need to take place to get our industry moving in the right direction once again. Thanks to the Breeders’ Cup for their sponsorship of this process. 


It surprised me when Christophe Clement said that he has spent half of his 44 years in the United States. Maybe it’s the heavy French accent he still retains, or simply the blur of the years going by so quickly. But the third-generation horseman has made America his permanent home since 1991. He’d spent a couple of years here in the 1980s, working for Taylor Made Farm and trainer Shug McGaughey, before returning to Europe, where he served for four years as assistant to Luca Cumani in Newmarket, England. Earlier in his life, he had apprenticed for the master horseman Alec Head in Chantilly.

Clement, coming off an outstanding year when Gio Ponti won two Eclipse Awards for the Ryan family’s Castleton Lyons as turf male and older male champion, is preparing the 5-year-old son of Tale of the Cat for a possible run at the $10-million Dubai World Cup. He’s looking at a prep race at Tampa Bay Downs on turf in February prior to taking on the world’s best over the Tapeta Footings surface at the new Meydan racetrack in Dubai. Gio Ponti is coming off a second-place finish to Zenyatta in the Breeders’ Cup Classic over the Pro-Ride synthetic track at Santa Anita.

In this, our first Paulick Report Forum brought to you by Breeders’ Cup, Clement provided some insights about the sport of Thoroughbred racing and how it’s changed during his lifetime.

What is it about international racing that is important to you?
First of all, with the Dubai race I can give you 10 million reasons. If it was a million-dollar race, I wouldn’t be going. I would be going instead to the Santa Anita Handicap. In the case of the Dubai World Cup, the purse has a lot to do with it.
 
But international racing is important. I’m just a trainer, but if I was a breeder or an owner, I would say it is very important for the breed to know which horse is the best and which sires are better. I saw an article in the TDN that said, as recently as 20 years ago, 80% of the world’s leading stallions stood in the United States. Today that number is 50%. The United States does not permeate world breeding the way it was 20 years ago.

From a personal standpoint, I don’t get as many fillies or mares sent from Europe to race here and then be bred to American stallions. Their owners are keeping them in Europe.
 
Why the shift?
A couple of things. First there is medication. People refuse to talk about it, but a lot of people in Europe still don’t want to breed to U.S. sires because those horses raced on medication. A lot of Europeans do not understand why we continue to allow medication while the rest of the world is doing OK without it.

That’s one of the factors. It is an issue for some people. There are two things I would like to see changed. I am convinced Grade 1 races should not be handicaps. It’s not healthy to use weight to try and beat the best horses. Allowance conditions are fine. This is something Bobby Frankel and I talked about, and Bobby was against handicaps in Grade 1s. I also believe there should be no medication in Grade 1s because we use these races to improve the breed.

So why do we continue to permit it?
I don’t know. Every track is different. There is no federal authority. No racing commissioner. The Graded Stakes Committee took grades away from Pennsylvania because they failed to do the proper testing, but there is limited means to enforce national rules. I’m just a trainer. These are some of my thoughts. I’m trying to win a race tomorrow.

You said there were two major reasons for the shift in stallion power away from the U.S.
Right. Secondly, the two groups, the Maktoums and Coolmore, have given European breeders access to some very good stallions because they are retaining some of the best racehorses. Twenty or 30 years ago the world’s best horses came to Gainesway—horses like Lyphard, Riverman, and Blushing Groom. This year, apparently no American farms bid for Sea the Stars. 20 years ago an American farm would have. Aside from Giant’s Causeway and Kingmambo, it’s been quite a while since an exciting European horse came to the United States as a sire. The top milers in Europe are no longer coming here, either.

What training methods have you adapted from your European background?
I am more American than European. I’m 44 and have spent more time in this country than anywhere else. But I’ll say this. When Sir Michael Stoute or Andre Fabre wake up in the morning they have a choice of tracks on which to train their horses. Here it’s the main track or the training track. Those guys have a much wider choice for their horses.

We should have access to all surfaces: dirt, turf and Polytrack.  If you have a good dirt track, like in New York, a good turf course, and a good Polytrack surface to race or train over on days when it’s very wet, it would be very popular. But the problem is who pays? It would be very expensive. In an ideal world, that’s the way it would be. A dirt track should be safe if maintained the right way. Turf is safe, and off the turf races could be run on a Polytrack.

You recently cut back on the number of horses you have in California. Is it because of the problems with Santa Anita’s surface?
It’s Mother Nature. I’m not against Santa Anita. They did everything they could. Wherever you are, you have to deal with Mother Nature. It’s been very wet out there. One reason Gio Ponti came back East is I found that the flight to Dubai will be easier from Florida than California.

In the United States all trainers think they are track superintendents, but the track superintendents know their job. There is no ideal surface 365 days a year. Bob Baffert was really negative on Polytrack, but he’s such a smart guy and a good trainer he’s really adapted. He’s doing great on that surface.

What can American trainers learn from others around the world?
When you work for the people I’ve worked for, you learn that change is not always negative. People in racing don’t like change. Change is not always a bad thing. We should be more open minded about change. A typical thing is the synthetic tracks: trainers should be more open minded. Of course it will not be perfect from day one, but it is ridiculous to be so against it, just as it is ridiculous to be against dirt racing. It doesn’t have to be one or the other. The Kentucky Derby is on dirt and should remain on dirt, and the Belmont Stakes is on dirt and should remain on dirt. But we shouldn’t exclude Polytrack from our racing because it represents change.

Finally, how do you feel about Rachel Alexandra’s owner Jess Jackson’s recent comments that the field for the 2009 Breeders’ Cup Classic was not nearly as good as the 2008 race when his Curlin was defeated?
I think it’s just another reason that he should have participated in the race.

Copyright © 2010, The Paulick Report

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AMERICAN GRADED STAKES STANDINGS brought to you by Keeneland - OVER THE MOON

Thursday, October 15th, 2009

By Ray Paulick
What does a former longtime editor of Blood-Horse magazine have to do with one of the leading sires of American Graded Stakes winners of 2009?

Plenty, if you ask Josh Pons, who helps run his family’s Country Life Farm in Maryland, where top sire Malibu Moon got his start at stud in the year 2000 for a modest fee of just $3,000 live foal.

This is not about yours truly, who served as Blood-Horse editor in chief from 1992-2007, but Kent Hollingsworth, who held that post (as well as publisher) with great distinction for nearly a quarter century, from 1963-86. Hollingsworth was a mentor to Pons, a former two-time Eclipse Award-winning writer for the weekly magazine (and to many others who respected Hollingsworth for his insights, intellect, sense of humor and courage). When Hollingsworth died in 1999, Pons traveled from Maryland to Kentucky to attend a memorial service at the Kentucky Horse Park.

While in Lexington for the July 1 memorial, Pons ran into horseman John Stuart, who told him about an A.P. Indy colt that suffered a career-ending slab fracture of the knee after an impressive Hollywood Park 2-year-old maiden victory for owner B. Wayne Hughes and trainer Mel Stute. Pons was looking for a stallion to add to the Country Life roster and thought, “Hey, I’m halfway to California, maybe I can find a cheap flight and go take a look at the horse.”

It meant Pons would have to miss the annual Fourth of July celebration at the farm, but he followed his instincts, got that cheap flight, and struck a deal with Hughes to buy a half-interest in Malibu Moon and bring him to Maryland. He admits there wasn’t a lot of competition to stand the horse at stud.

To this day, even after Malibu Moon was moved to Kentucky, standing first at the late Dr. Tony Ryan’s Castleton Lyons Farm and now at Hughes’ Spendthrift Farm, that deal is paying dividends to Country Life, which retains a 25% share in the horse. In a strange kind of way, Hollingsworth gets more than a little credit.

“That such an important person in my life made this kind of a beneficial impact—even from the grave—is really kind of amazing,” Pons said of Hollingsworth. Pons said he stops by a small marker memorializing Hollingsworth at the Kentucky Horse Park when he is in Lexington.

Despite having only that one win from two starts, Malibu Moon was well received by breeders in the Midatlantic region, getting over 100 mares his first year for a stud fee of $3,000 live foal. “He was such a handsome horse that he really stood out,” said Pons. From his first crop of 62 foals came 44 winners, 13 of them as 2-year-olds, and seven stakes winners, including multiple American Graded Stakes winner Perfect Moon. At the end of 2003, he was moved to Castleton Lyons, which bought half of Country Life’s half interest. “It was a little bit like a game of poker,” said Pons, “but Mr. Hughes said 25% of the horse would be worth more in Kentucky than 50% in Maryland.” Malibu Moon’s fee went up to $10,000 for 2004, and then to $40,000 in 2005 after Declan’s Moon (from his second crop) won an Eclipse Award as champion 2-year-old male of 2004. He stood four years at Castleton Lyons, then moved to Spendthrift before the 2008 breeding season. He stood for $40,000 in 2009.

“Country Life did a great job getting him rolling, and Castleton did a tremendous job while they had him,” said Ken Wilkins, who joined the Spendthrift team as stallion director in October 2007. Wilkins said the book was closed for Malibu Moon after he was bred to 152 mares in 2008 and, with overall demand down, 136 mares in 2009. Hughes, who owns about 120 mares, bred 11 to Malibu Moon himself this year.

“The last four years he’s been A.P. Indy’s leading son of stakes winners,” Wilkins of Malibu Moon. “The next hurdle for him is to be a sire of sires. With better mares coming, it’s a matter of time for that to happen.”

Malibu Moon has sired six American Graded Stakes winners of 2009, the same as Giant’s Causeway, Dixie Union, Pulpit and Candy Ride. Only his sire, A.P. Indy, has more, with eight. Malibu Moon’s six AGS winners are Grade 1 winners Funny Moon (out of an Easy Goer Mare), winner of the Coaching Club American Oaks, and Devil May Care (Red Ransom mare), winner of the Frizette; Grade 2 winner Luna Vega (Rock Royalty mare), winner of the Molly Pitcher Handicap; and Grade 3 winners Ah Day (Thirty Eight Paces mare), winner of the Toboggan Handicap, Sweet August Moon (Royal Academy mare), winner of the Las Flores Stakes, and Sara Louise (Mt. Livermore mare), winner of the Victory Ride Stakes.

Mr. Prospector’s 17-year-old daughter Macoumba, a stakes winner in France who produced Malibu Moon, is currently in foal to Distorted Humor and has a yearling by Dynaformer. 

In some respects, Malibu Moon winning even one race was something of a longshot. As a foal, he was stepped on by his dam and suffered a cracked pastern. According to Pons, Hughes was told the horse would probably never race, though he recovered from that injury and blossomed in training for Stute, showing unusual precocity for a son of A.P. Indy. “Not many A.P. Indys win in May,” Pons said.

It’s a longshot for any horse that wins just one race to have the opportunity to succeed at stud, but Malibu Moon has overcome the odds. The credit for that success can be spread around, to farms in Maryland and Kentucky, and to an editor that Josh Pons will never forget.

Copyright © 2009, The Paulick Report

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